Arrangement: Scott Daniel. Par SCOTT DANIEL. Faites un voyage dans le temps à Vienne vieille - ville de l'intrigue courtois, assignation secrète, boules masqué au Palais de Schönbrunn, voitures élégants dans le Prater - un monde classique, ordonné évoqués par la musique de Haydn, Mozart, Beethoven et Schubert. Au XVIIIe siècle cède la place à la romantique du XIXe siècle dans les souches lyriques de Brahms et les valses tourbillonnants, abandonnés de Johann Strauss le jeune - une époque quand la ville elle-même a été transformée en une salle de bal sans fin, scintillante. Enfin, explorez le monde de Fin de Siecle introspectif, de Gustav Mahler, dont lyrisme passionné mais angoissé annonçait la chute de la dynastie des Habsbourg et la fin de l'âge d'or de Vienne comme capitale plus opulente de EuAvailablee. 150 ans de musique plus glorieuse du monde, écrit pour l'une des plus belles villes de EuAvailablee, est contenue dans le présent volume. Jouer de la musique et laissez-vous être ramené à Vienne - ville de rêves./ Recueil / Piano

für Violine und Klavier. Par CHOSTAKOVITCH DIMITRI. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows./ Répertoire / Violon et Piano

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general

Les plus grandes ?uvres pour Piano de la période Classique, arrangées pour Piano Solo / Classique / Partition /